![]() ![]() But instead of trying to recreate "Heartbeats" and breaking through to commercial success, they avoided media, didn't tour until 2006, refused to show up to awards shows (even when they won several Swedish Grammys), and with each album they got more experimental. It was with that song, and their 2003 album Deep Cuts, that the Dreijer siblings started getting noticed around the world. The Knife's "Heartbeats" was an undeniable hit-the kind that could translate in any country, any genre, any style. “But the time factor is one of many reasons why the Scandinavian scene often comes up with new sounds and new ways.” The sense of urgency, finishing and releasing stuff as quick as possible isn’t that prevailing here,” she said. And when they were ready, they released it. A lot of the people we know personally who are getting attention now worked on it for years and years. “I think there’s more freedom as an artist to find yourself and your sound here. When we interviewed the group earlier this year, Smith-Sivertsen revealed what she thinks sets the Scandinavian scene apart. The duo have honed their chemistry and sound for years, collaborating initially as Rangleklods, and their work as Blondage is proof that icy cool, progressive pop can still have plenty of warmth to it. “Stoned” switches between syrupy blasts of synths with a layer of gritty distortion with a rare deftness. 2014's I Never Learn is Lykke's most ambitious album, with massive singalong singles like "No Rest For The Wicked" and "Never Gonna Love Again." It's defiant heartbreak, once again produced in large part by Yttling's sure hand. As far as Scandinavian pop goes, Lykke Li is one of today's most popular and respected artists, and for good reason.īlondage didn’t release much in 2017, but the duo certainly showcased a penchant for quality over quantity with singles “Stoned” and “Boss.” Comprised of Esben Andersen and Pernille Smith-Sivertsen, the pair consistently craft not only inescapable hooks and melodies, but rich, textural instrumentals that are consistently rearranging each song’s sugary core. For her second album, 2011's Wounded Rhymes, Lykke delivered again, sticking with Björn Yttling of Peter Bjorn & John as producer and showing maturity in a slightly more edgy, less sugary sound. Her captivating live performance solidified the deal-she's known to cover hip-hop songs, pound away with a drum stick, and let loose with some dance moves accentuated by her usual get-up of flowy black garments. Proving herself capable of melodically striking hits, mournful ballads, pouty pop, and retro-tinged doo-wop and soul, the Swedish songstress served a little something for everyone. After releasing her Little Bit EP in 2007, Lykke Li started getting noticed, but it wasn't until her debut album, Youth Novels, that she really took off.
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